
Encounters with the Cross of Light
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These works were never intended to be objects alone, but places of encounter.
Over the years, moments have unfolded around them—quiet, unexpected, and at times deeply personal.
What follows are a few of those stories.
Crux Gloria — Part I: The Visitation (1988)
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In 1988, I was living in Loudoun County, Virginia, in a stone farmhouse. I slept on the second floor. ​In the middle of the night, as I lay on my side, the presence of God entered the room.
It was so palpable, so encompassing, that I could not move. And yet, I was completely held in the most profound love I had ever known—far beyond anything I could have imagined.
I knew it was Jesus. I said as much to Him:
“Oh… It’s You, Jesus.”
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He directed my vision out through the second-story window into the pasture. There were no natural lights—but there, in the darkness, was a cross.
It hovered above the ground, large—twenty, maybe thirty feet high—and it glowed.
But what was truly remarkable was His form.
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Where one might expect the stillness of a carved figure, this was alive—alive with fire. It was as if the sun itself had taken on His shape.
Suddenly, I was moving toward it—drawn supernaturally. I could hear a kind of crackling, like standing near something immensely powerful, almost beyond comprehension.
And then, in an instant, I was within Him—within His form—my arms outstretched.
But this was not suffering.
This was a victory.
Victory through the cross.
Victory over darkness.
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I experienced a complete forgiveness—my sin shedding from me like an old skin.
After some time, I was returned to the room, back into my body.
And the Lord said:
“Get up. I want you to draw this. You are going to build this cross—for My cross is a cross of light.”
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I hesitated. I didn’t want the moment to end.
“I won’t forget, Lord…” I said.
But He spoke again, more firmly:
“Get up and draw the cross as you have seen it.”
I rose immediately. There was no more sleep in me.
I went out to my barn studio in the early morning hours and began.
With channel steel and tubular steel, I formed the cross. I marked the shape of His body with soapstone, then cut it through—front and back—so that one could see straight through it.
Only later did I realize what had been made: A doorway - through His form.
Through what He accomplished on the cross.
A way into the promised land—open to anyone.
That was the beginning of what would come to be known as Crux Gloria.
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The Man on the Highway
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I was visiting a friend named Alvin, who owned a health food store in Winchester, Virginia.
When I walked in, Alvin turned to a man in the store and said,
“Joe, this is the guy who built the cross.”
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The man—biker, braided beard, leather vest—looked every bit the part. He came straight toward me and stood uncomfortably close.
He said, “I had something happen with that cross. I’ve never been able to figure it out. I’m going to tell you what happened.” I said, “Alright.” He continued: “I work the graveyard shift. I’m driving home around three in the morning. Everything’s pitch black—just my headlights… and your cross, glowing on the side of the road. As I passed it, something happened. A beam of light shot into my car—like a laser. It lit up the whole dash. Everything was glowing.”
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He looked at me and said, “What was that?”
I told him, “It wasn’t anything I designed or did. I’d say that was the Lord reaching out to touch you—wanting to communicate something to you.”
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He cut me off: “I’m a Buddhist. Not some new age Buddhist—I’ve been practicing for twenty years. I don’t have any room for Christ.”
I said, “well, this is an example of Him reaching out to you, brother. I’d recommend you pick up a Bible—start with the Gospel of John—and see if He doesn’t continue the conversation.”
He paused, then said, “Thank you.” And he left the store.
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Alvin stood there wide-eyed. “Well… there’s a story for you.”
I looked at him and said, “The Lord’s on the move.”
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Continue the Journey
Many of the themes reflected in these experiences—light, presence, restoration, and the mystery of the cross—are explored more deeply in Song of Songs: A Divine Romance Between Art and Scripture.
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This work brings together visual art and scripture in a contemplative dialogue, inviting the reader into a more personal encounter with the same spirit reflected here.
Tomas you are so creative. This just lifted my heart and soul- still hoping for world peace, what a crazy idea!
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The water flowing down through the Christ figure makes it look like he’s channeling God energy from the heavens to the Earth. A holy vessel
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God's inspired piece of ART. I am speechless!
I see and feel Jesus is alive and giving us Living Water.
It makes my heart joyful, peaceful, and more alive.…
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Thank you, Tomas.
Your ART is stirring the deepest place of my being.
This ART'S place is in Rome on ST. Peter SQUARE.
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📜 Testimony
From Katherine (in memory of Bob)
One of the most memorable moments of my life with my late husband centers on a similar cross at Kanuga Camp. We were spending a week there at their retreat center and were invited to see the “new cross” that had just been installed.
We arrived at the foot of Corpus Christi in the dark, and the light was blazing forth from the interior where Christ’s body had hung.
The next day, while in the gift shop to get Bob a jacket, we came across a similar cross. Bob turned it over and realized that you were close to us, and he sought you out—beginning a deeply spiritual journey.
Thank you for shining the love of our Lord forth.
My response
Thank you for sharing. You and Bob let that love shine forth. I miss him so. One day soon, we’ll be together. Love you.
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We first encountered the Crux Gloria in 1994, when we joined St. Francis de Sales Catholic Community, Purcellville, Virginia. The Crux Gloria, created by Tomas Fernandez, was situated on the property of St. Francis and faced Route 7, a busy highway heading west. The sculpture, we later learned, was from a vision that Tomas had received. The symbolism is most significant. It stands 33' tall, one foot for each year that Jesus walked the earth. It is three-dimensional and is hollow inside. The top of the sculpture is open, so as one stands at the base, one can look up through Jesus toward the Father. Jesus told us that the only way to the Father is through Him (John 14:6). Being hollow inside it is lighted during darkness as Jesus is the Light of the World (John 8:12). Also being hollow, one can look through and see the world and conversely people should be able to see us through Christ as we are His ambassadors (2 Cor 5:20).
A few years passed, and the Lord prompted my wife and me to open a Christian bookstore in the town. Through this business, we met Tomas and began a long-lasting friendship and business partnership. Tomas had created tabletop models of the Crux Gloria and a line of pendants in gold, silver, and iron, which we sold in the store. As time passed, Tomas’ creative juices continued to flow. He created an offshoot of the Crux Gloria, which he called Corpus Christi or the “Body of Christ. He also created a line of t-shirts with original designs, Crux Gloria candles that he made by melting and reforming blessed candles donated by various churches.
While we no longer have the Christian bookstore, the Glorious Cross continues to be our focus, and we continue our friendship with Tomas that the Holy Spirit orchestrated through the Crux Gloria.
Dave and Jami Dietemier
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